Vamos a la Playa
More here. Vamos a la Playa
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Vamos a la Playa

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Adam Bartos
"I took these photographs after moving to Los Angeles from New York City late in 1978."
"I was lost, and I spent a lot of time driving around and getting to know the city. Not unusually, I had a romance going with LA from film, photography, and television, and the place felt, as it still does to me, unreal in a familiar way. My photographs were attempts to locate myself in the actual time and place, by looking at what was typical but might, or might not, reference the mythic LA in the most oblique manner possible." 
More here. Adam Bartos
"I took these photographs after moving to Los Angeles from New York City late in 1978."
"I was lost, and I spent a lot of time driving around and getting to know the city. Not unusually, I had a romance going with LA from film, photography, and television, and the place felt, as it still does to me, unreal in a familiar way. My photographs were attempts to locate myself in the actual time and place, by looking at what was typical but might, or might not, reference the mythic LA in the most oblique manner possible." 
More here. Adam Bartos
"I took these photographs after moving to Los Angeles from New York City late in 1978."
"I was lost, and I spent a lot of time driving around and getting to know the city. Not unusually, I had a romance going with LA from film, photography, and television, and the place felt, as it still does to me, unreal in a familiar way. My photographs were attempts to locate myself in the actual time and place, by looking at what was typical but might, or might not, reference the mythic LA in the most oblique manner possible." 
More here. Adam Bartos
"I took these photographs after moving to Los Angeles from New York City late in 1978."
"I was lost, and I spent a lot of time driving around and getting to know the city. Not unusually, I had a romance going with LA from film, photography, and television, and the place felt, as it still does to me, unreal in a familiar way. My photographs were attempts to locate myself in the actual time and place, by looking at what was typical but might, or might not, reference the mythic LA in the most oblique manner possible." 
More here.

Adam Bartos

"I took these photographs after moving to Los Angeles from New York City late in 1978."

"I was lost, and I spent a lot of time driving around and getting to know the city. Not unusually, I had a romance going with LA from film, photography, and television, and the place felt, as it still does to me, unreal in a familiar way. My photographs were attempts to locate myself in the actual time and place, by looking at what was typical but might, or might not, reference the mythic LA in the most oblique manner possible." 

More here.

Adam Dock
A’DAM DOC’k’ was a series made by Raimond Wouda and Henk Wildschut and gives both a distant and intimate view on the port of Amsterdam. Wildschut made intimate portraits of the workers during their moments of rest or while they were in the lockerrooms. Wouda photographed three prominent companies seated in the harbour and a topographical view from the harbour itself while he was standing on a large boat which was entering the harbour through the Northsea-Canal from the sea and three prominent compagnies seated in the harbour. Adam Dock
A’DAM DOC’k’ was a series made by Raimond Wouda and Henk Wildschut and gives both a distant and intimate view on the port of Amsterdam. Wildschut made intimate portraits of the workers during their moments of rest or while they were in the lockerrooms. Wouda photographed three prominent companies seated in the harbour and a topographical view from the harbour itself while he was standing on a large boat which was entering the harbour through the Northsea-Canal from the sea and three prominent compagnies seated in the harbour. Adam Dock
A’DAM DOC’k’ was a series made by Raimond Wouda and Henk Wildschut and gives both a distant and intimate view on the port of Amsterdam. Wildschut made intimate portraits of the workers during their moments of rest or while they were in the lockerrooms. Wouda photographed three prominent companies seated in the harbour and a topographical view from the harbour itself while he was standing on a large boat which was entering the harbour through the Northsea-Canal from the sea and three prominent compagnies seated in the harbour.

Adam Dock

A’DAM DOC’k’ was a series made by Raimond Wouda and Henk Wildschut and gives both a distant and intimate view on the port of Amsterdam. Wildschut made intimate portraits of the workers during their moments of rest or while they were in the lockerrooms. Wouda photographed three prominent companies seated in the harbour and a topographical view from the harbour itself while he was standing on a large boat which was entering the harbour through the Northsea-Canal from the sea and three prominent compagnies seated in the harbour.

The Last Road North
A visual history of the people and landscape of Alaska’s Dalton Highway by Ben Huff. The Last Road North
A visual history of the people and landscape of Alaska’s Dalton Highway by Ben Huff. The Last Road North
A visual history of the people and landscape of Alaska’s Dalton Highway by Ben Huff. The Last Road North
A visual history of the people and landscape of Alaska’s Dalton Highway by Ben Huff.

The Last Road North

A visual history of the people and landscape of Alaska’s Dalton Highway by Ben Huff.

Dune Life

Joel Wynn Rees & James Whineray.

Mordecai Three Finger Brown

Indiana-born Mordecai Peter Centennial Brown was one of the top pitchers of the Dead Ball Era.

A farming accident during his youth caused him to lose most of the index finger on his right hand, and a fall shortly after left most of the other fingers misshapen. In a classic case of turning lemons into lemonade, Brown used his handicap to grip the baseball in a way which caused his curve ball to break sharply down before reaching the plate, making it extremely difficult for hitters to get under it.

Headline writers, with the usual subtlety of the times, predictably (though inaccurately) named him “Three Finger” Brown. 

R.I.P. Tony Gwynn

One of the greatest hitters of all time and the last player to come close to hitting .400 in a single season. He hit .394 in the strike shortened season of 1994.

Prospects

A Cardinals player takes his warm up pitches in the minor leagues.

Tim Ronca
More here. Tim Ronca
More here. Tim Ronca
More here. Tim Ronca
More here.

Dennis Martínez Random Ballplayer #6

On July 28, 1991, Martínez pitched the thirteenth perfect game in Major League Baseball history, pitching for the Montreal Expos against the Los Angeles Dodgers. He was the first Latin American-born pitcher to pitch a perfect game.

Atlanta Brave Orlando Cepeda slides into second base to try to avoid the tag from NY Met Ken Boswell during this 1969 game at Atlanta Stadium. 

Spahn and Sain and pray for rain

Boston Braves pitchers Warren Spahn, left, with Johnny Sain in 1948.

Ed Charles Random Ballplayer #5

Happy birthday to the oldest of the “Miracle Mets”, he was 36 when they won the series in 69.